11/14/2022 0 Comments Pencil 2d camera layerWe need YOU for miracles to happen! Consider donating your time to report bugs, create art or just hang out with us at the forum while we wait for the next release.įor more information on how to contribute to Pencil2D please visit the Contribute Page. Pencil2D won’t get hot just by looking at it, in fact there’s more chances that you’ll hate it the more you look at it. Right now Pencil2D is in need of developers experienced or willing to learn Qt framework and C++ as well as proactive users that want to help however they can. We feel you, but every great piece of software you might know began in a humble way. I like Pencil2D but… it is a bit ‘buggy’, what can i do? For more info please check this tutorial. You can draw outside the camera border and move the camera around on the infinite canvas, set keyframes of camera positions on Timeline. So double-clicking on the camera layer is actually change the size of a camera, not the canvas. Pencil2D has a infinite canvas, the bright rectangle at the center is the camera, a preview area when you export your animation to a video & image. TL DR - Double click on the Camera Layer. Nightly Builds DOWNLOAD HERE How to change the size of the canvas? That can help our dev team to avoid unnecessary or duplicate bug reports. However, we encourage you to try the latest Nightly Builds whenever you encounter an issue with current pencil2d version, to see if the problem has already been fixed. But you have to understand the nightly builds are not final versions and sometimes they can break more easily. In Nightly builds you will have the latest features and bug fixes if you like to try something new. Nightly Builds are the most up-to-date, experimental versions that reflects the current state of the pencil2D application development. If you own a older machine that can run macOS 10.7-10.11 or Windows XP, and you’d like to help test, please contact the devs! I hear about “Nightly Builds” so what is it? We urgently need users’ feedback from these systems since the devs don’t have these old Operating Systems anymore.
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I’m only dreaming, but ideally someday Libby could even offer an advanced typographical setting screen that, feature for feature, matched Moon+ Reader Pro, probably the feature champ among ereading apps. That’s another way Libby could catch up with Kobo. What’s more, they let you smoothly change margins and line spacing without your having to live with presets. Kobo E Ink readers have offered bold for eons-you can even adjust the font weight. It took years of pleas from TeleRead and others, but Amazon finally gave us the all-bold option on recent E Ink Kindles, and OverDrive needs to be competitive even if Libby is an app rather than a dedicated reader. But if bold is definitely on the way, OverDrive should have told me. So maybe there’s hope for all-text bold in Libby before OverDrive locks up. If you require accessibility or would like to use an app in a language other than English, please use the OverDrive app instead of Libby for the time being.” Libby has not been officially released. In fairness to OverDrive, the company does say that “Libby does not yet offer accessibility or multilingual features. A company spokesman promised to “share your comments with our team and let you know if we have anything new that we can announce!” Lack of boldface is clearly outside the spirit of these laws and perhaps even the letter. Supposedly libraries and other public organizations are to follow accessibility laws. The omission of all-text bold is unacceptable. Believe me, however, in real life, that will not be the case for me and millions of others with contrast-sensitivity issues. The screenshot below makes the type look sufficiently bold. But like at least one other cloud-based app from OverDrive, Libby lacks it. In the traditional OverDrive library app you could summon up boldface fonts, so useful to older library users as well as certain K-12 kids with special needs. Unfortunately, however, like other cloud-based OverDrive apps, this one lacks full accessibility. What’s more, if you hold cards from multiple libraries, you can easily scoot back and forth between institutions, and Libby even allow for different cardholders within the same family.Īlso, Libby is a nice way to search for titles that you can then read in on a Kobo Aura One, made by OverDrive’s corporate cousin. But that aside, I really like the aesthetics and the general interface of this app for iOS and Android. Nice job! I’d appreciate a more text-oriented option for the times when I just want to find a book-not worry about the view along the way. You name your library, type in your library card number and go through a few other simple steps, once you’re past the opening screen. But it lacks all-text boldface and some other typographical amenities that many library users would appreciate. Libby, OverDrive’s new app for ebooks and audiobooks, is a breeze to use on the whole. To change direction to follow the curve of the oval-shaped track, a force must be applied. So how are drivers able to obtain these speeds?Īs a car enters a turn, it naturally wants to continue in the direction it was originally going. The effect of relativity at the track is small, but it does exist. While NASCAR drivers are moving at incredibly fast speeds compared to the crowds in the stands, their speeds are small compared to what Einstein had in mind – like how fast light can travel, 670 million mph. If a driver raced nonstop at 200 mph for the next 50 years, he would age 70 microseconds less than the rest of us. At the end of a 3.5 hour race, the drivers have aged about 0.5 nanoseconds less than the spectators who stayed still. So it’s fair to say that speed demon NASCAR drivers age a very tiny bit less than the rest of us. This is comparable to the bite force of a large American crocodile or what it would take to lift a full-grown buffalo.Īccording to Einstein’s theory of special relativity, the faster you move through space, the slower your passage of time. During this acceleration, the car must exert an average of 2,600 lbs of horizontal force against the track. They accelerate so quickly that it takes them only around 3 to 3.5 seconds to go from zero to 60 mph. NASCAR drivers travel at extremely high speeds, over 200 miles per hour. As a physicist, I love seeing all the physics principles on display during a NASCAR race. Or maybe its the feats of science and engineering that pull some spectators in. Maybe it’s the excitement in the crowd or maybe it’s the constant threat of danger that draws people to the sport. Nearly every weekend, today’s speed lovers can live vicariously by watching their favorite NASCAR drivers race around the track at death-defying speeds. Throughout history people have always pushed themselves to go faster, whether on foot, on horseback, on a boat or on a bicycle. There’s just something thrilling about traveling at high speeds. 11/13/2022 0 Comments Vh1 americas next top modelThe reboot will do away with some of the more recent changes to America’s Next Model. The next panel of judges for America’s Next Top Model has also been announced with supermodel Ashley Graham, Paper Magazine Chief Creative Officer Drew Elliott and celebrity stylist and image architect Law Roach. The 14-episode season will premiere at 10/9c.Īs previously mentioned ( and reported) Rita Ora will be filling in as host for Tyra Banks. Ranking the 7 Best Judges of Reality TV>Īmerica’s Next Top Model will make the jump to VH1 on Monday, December 12, 2016. A lot of the news, especially the premiere date, is brand new. Some of the information has already been reported: Rita Ora has been officially confirmed as the new host and Tyra Banks will be involved, to much a lesser degree, in the new America’s Next Top Model. Deadline reports that VH1 has released brand new details of the upcoming reboot of the reality series. Unique creative, strong usage performance, and influential users made the ANTM Snapchat Lens a huge win for VH1, GLOW, and Snapchat.Get ready for an all new era of America’s Next Top Model. The lens was also used widely by talent and influencers such as Rita Ora, Ashley Graham, Leslie Jones, Drew Elliott, Law Roach, Lo Bosworth, Dashca Polanco, EJ Johnson, and Frankie Grande, granting top-down validation to the new season. Plays were 62% higher than high benchmark averages, the lens received 50MM Impressions and most impressively Snapchatters were using the lens 2.8x as long as high benchmark comparisons for other lenses. This completely new user experience-one with a start, middle, end and high replay value- was a first for Snapchat's lenses and it proved immensely popular with users, resulting in drastically above-average engagement time and posts. The entire experience was set to a featured song, "Fashion Killa," a track that was also used across other on-air, digital, and social promos, unifying the overall marketing campaign into the Snapchat experience. This pay-off moment could be captured as a still, or the whole experience could be saved as a video, giving lots of creative options to the fan for how to share and showcase themselves with the lens. Middle: A series of camera flashes animate on screen as the lens captures a series of photos.Įnd: A stylized contact sheet of images animate on screen with each photo captured, showcasing the user as a TOP model. Start: The lens activates and music begins. Where typically a Snapchat lens may only appear on your face, and may have one or two features with no specific ultimate payoff, our approach with this lens was to deliver not just an experience, but a unique payoff as well. Leading up to the new season premiere, GLOW worked with VH1 consumer marketing and Snapchat to create an innovative first-to-market Snapchat Lens that gave fans the opportunity to turn their user experience into a custom photo shoot, complete with a stylized contact sheet of images at the end of the process. We wanted to echo the broader ANTM campaign hook of "What's Next," so we did exactly that with our innovative Snapchat lens. Working with GLOW, VH1 achieved that and more, resulting in a new and engaging experience, the likes of which Snapchat's users had never seen. The strong branding of America's Next Top Model created a special challenge, as the Lens needed to sustain a chic, fashionable presentation within the limitations of Snapchat's platform requirements. VH1 wanted to make splash on Snapchat with an innovative and first-to-market Snapchat Lens to be released on the date of the season premiere. |
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